Maisie Gets Her Man (1942)

This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.

Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.

A man found himself stuck inside the passage to the subway exit on the way to work.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.

Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.