
Having been defeated by Jingū and driven out of Hamamatsu, Narumi was spending his days in a dingy mahjong parlour. One day, a woman appeared who taunted him. ‘Is it all over just because you lost to Jingū? You, Narumi, the one who always plays it safe,’ she said. The woman, who introduced herself as Natsuki, offered to help Narumi return to his career as a substitute player, saying she wanted to defeat Jingū together. …But why? For her, Jingū was her own brother—the man who had murdered her mother. Before long, Narumi and Natsuki formed a partnership and began wreaking havoc in the mahjong parlours of Hama…!!
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.