Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

In the time frame of a single day (from dawn to dust), the film records the wanderings of an Indian youth who sleeps on the beach, holds conversations with a statue of Mahatma Gandhi, and scavenges for food with his monkey. By afternoon, a little ceremony is held by well-to-do Gandhi-ites, at which a speaker delivers a sermon on "godly love"; but when the boy comes too close, he is told to move on by a guard, one of a series of exclusions of this onlooker-outcast.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
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Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.