'Feel The Beat'
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.

Carter Wong, Cheung Wai and Irene Hui star in this martial-arts thriller set in a small town in northeastern China. When a gang of Japanese cutthroats invades his hometown, renegade fighter Swallow (Wong) and his band of mavericks use their best kung fu moves to kick the bad guys' keisters out of town. Between the frenetic, fist-flying action, Swallow finds time to court a pretty young widow (Hui).
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.