
Magic Boy is a beautiful youth romance set in Mongkok where a girl falls in love with two amateur magicians. One is into stage magic. The other is into street magic. Over 30 genuine magic tricks are performed in this first full length feature in Hong Kong to use amateur magicians as the subject matter. Anjo Leung, in his film debut, is a real student of magic while director Adam Wong continues his sensitive and poetic expression of the frailties of youth, this time using magic tricks as an allegory of the illusory nature of love.
Minus Zero is better than the previous film in some ways, and inferior in other ways.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.