Maggie is an 18-year-old girl who leaves her adopted Christian home after her father's tragic death. Trying to fill a void in her life, Maggie feels the need to locate her birth mother. What she finds is not what she hoped for. Maggie finds a mother that does not love her or want her. Maggie gets caught up in this woman's world. After a few months enough becomes enough and when all hope is lost, one desperate night she reaches her breaking point. In a rage, she releases her frustrations by destroying the seedy hotel room that has been her home. At her feet falls a Bible, and it is then she realizes that there is only one thing that can break the bondage she is in and that is Jesus Christ our Savior.
Mike Norris
Director
Grant Barker
Derrick Sirron
Barry Brown
John
Ron Bath
Homeless Guy
LaZaundra Burris
Lady of the Night
Kimberly Lynn Campbell
Lady of the Night
Alicia Ceaser
Lady of the Night
Samantha Conrad
Lady of the Night
Emily De Nisi
Claire
Jack Elliott
Luther
Jessica Flowers
Lady of the Night
Ethan Hirschy
John
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.