"Tow" Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.

A young man works as a waiter in a bar and as a server in a bakery. Women do not resist his attractiveness.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
'Zero Refills' highlights the despicable treatment of the less fortunate by healthcare providers and big pharmaceuticals.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.