"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

In this gentle comedy, Mado (Marianne Groves) is the letter-carrier for her small town, and she is constantly on the lookout for a good Catholic man who shares her enthusiasm for sunrises. She even puts up posters on trees and walls advertising her interest. The townspeople make fun of her, but she isn't discouraged. Her best friend is Germaine (Isabelle Gelinas), a pretty girl whose moral standards are not as strict as Mado's. When a film director (Oleg Yankovsky) arrives in town, everyone is agog, but Mado is particularly keen to find out about him. However, it seems that he has his eye on Germaine, and he isn't really in her league anyhow.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
This short film was an overall creative success.
Spirited inverts the tropes of the holiday musical genre to update an age-old tale for 2022. It's a paean to those who make grand spectacles possible.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.