The Lovebirds: It Doesn't Soar, But It Glides
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.

A parable of the Hollywood image-making industry told through a pastiche of narrative cliches.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
A homeless girl faces depression and uncertainty during the holidays.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.