Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Made in England: The Films of Powell and Pressburger (2024)
Martin Scorsese presents this very personal and insightful new feature-length documentary about British filmmakers Michael Powell and Emeric Pressburger.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Martin Scorsese presents this very personal and insightful new feature-length documentary about British filmmakers Michael Powell and Emeric Pressburger.
Rating:
Genre:Documentary
Written By:
In Theaters:6/11/2024
Box Office:
Runtime:133 minutes
Studio:BBC Film, Ten Thousand 86, Ice Cream Films, Screen Scotland, Sikelia Productions, Altitude Film Entertainment
Articles You May Like
What 'Magnolia' Says About Childhood Trauma
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
Sand Storm: A Look Into Bedouin Culture and the Pressure Women Feel to Keep Tradition Alive
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
A Survivor's Story: Breaking Down the Season 4 Finale of ‘Handmaid’s Tale’
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
The Love Triangles in 'Tall Girl'
In Tall Girl, Jodi learns to stand tall and find confidence within.
"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.