The Final End - The Conjuring: Last Rites
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
Mad Love
Richard de la Croix's brother, Andreas, has been driven insane by a notorious vamp and socialite named Sappho. A friend takes Richard to the Odeon to meet her, but when Sappho actually meets him, he is unaware that she is the woman who drove Andreas to be institutionalised. Sappho genuinely falls in love with Richard, and decides to leave her vampy ways and her older lover behind her so that she can have him.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Richard de la Croix's brother, Andreas, has been driven insane by a notorious vamp and socialite named Sappho. A friend takes Richard to the Odeon to meet her, but when Sappho actually meets him, he is unaware that she is the woman who drove Andreas to be institutionalised. Sappho genuinely falls in love with Richard, and decides to leave her vampy ways and her older lover behind her so that she can have him.
Rating:
Genre:Drama, Romance
Written By:Norbert Falk, Hanns Kräly
In Theaters:
Box Office:
Runtime:82 minutes
Studio:Projektions-AG Union
Articles You May Like
'The Summer I Turned Pretty' Introduces a New Generation to a Summertime Staple
The Summer I Turned Pretty series adapts the beloved trilogy into a bingeworthy TV show and introduces a new generation to Belly, Conrad, and Jeremiah.
Hong Sang-soo's Hat Trick
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
The "Wilds" Is Wildly Diverse
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
NYFF Review - 'The Inspection' Unearths Empathy in the Trenches of Bootcamp
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.