‘Oppenheimer’: The Man Behind the Myth
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.

When her TV star husband Alex decides to divorce her so that he can start a career in politics, newly single mother Maddy goes shoplifting and ends up in jail. Losing custody of her infant child, Maddy hatches a scheme to break out of prison with the assistance of her friend Gillian, who's avoiding the law herself for credit card fraud. Now Maddy has to find the couple who have adopted her son and avoid falling in love with selfish Alex all over again.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Friendships are tested when two girls have a crush on the popular boy at school.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.