Mad at the Moon (1992)

The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.

I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.

Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.

The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.