At the age of eighteen, Goran arrives in Italy from Macedonia. In no time he wins the trust of many Barolo wine producers and begins providing them with labour. The Macedonian labourers call him “the Cowboy”. Today he lives in Govone where he rents and shares a modest farmhouse with his girlfriend Antoaneta. He is worried because everything is starting to go wrong after years of doing well, maybe it’s becoming a little too much for a Macedonian living in Italy. When there seems to be no way out, he decides to embark on a journey backwards, towards east, towards home. But Macedonia also seems to reject him.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
"There is something going on between us that I cannot unravel."
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
