Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

Musician Pi has lost the story he once wanted to convey through his songs. With the core of his creativity gone, he drifts without direction. Heo-su, who loves mathematics, devotes himself to his research while extolling its beauty. He dreams of Paris, a city where mathematics coexists with history and the arts. Recognizing the extraordinary potential of both individuals, Lee harbors an ambitious vision: to build a multidisciplinary cultural and arts collective around them and orchestrate something on a grand scale.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
The film is a powerful narrative encompassing a theme that many people can identify with.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.
You'd better buckle up, pack spare underwear, & maybe lay off the drinking for a night, for a gnarly ride in New York!