It: Chapter Two Review: An Ambitious, Worthwhile Sequel
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

A singer frozen in old black and white photos. Forever young. Encapsulated. Trapped in the frame, just like her voice on her vinyl records. Forgetting that the point of view is chosen. Forgetting that, in addition to being a singer, Lurdes Iriondo is also an essential reference in the transmission of Basque culture. She understood that children were the key, and she worked for them.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
This anti-love young adult movie includes mature topics and dialogue.
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.