All Too Well: The Short Film and the Hysteria
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.

Lupin is framed for the murder of Inspector Zenigata by a mysterious assailant holding a silver-coloured Walther P38 pistol Lupin himself once owned. Tracking the true killer leads Lupin to the island of the bloodthirsty Tarantula assassins inside the Devil’s Triangle. After joining the spider-tattooed army against their will, Lupin and his gang make both new friends and enemies as they not only plan to take home the Tarantulas’ massive gold repository for themselves, but hunt down the shooter from Lupin’s past. Can Lupin put to rest this demon who haunts his memories with the Walther P38?
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.