'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Set in Los Angeles City, 2057, an outlaw is captured and sentenced to a lifetime of imprisonment on the LUNAR penitentiaries. To reunite with his family, he must become the first convict to escape the corrupt system and return to Earth.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.