Martha, a renowned pianist, faces an unexpected rupture when she becomes a mother and her daughter, Luna, is born deaf. Used to understanding the world through music, Martha’s reality fractures as she discovers that loving her child demands new ways of listening, speaking, and connecting. Between concert halls and moments of silence, she learns that motherhood is not only about care, but about accepting difference, translating emotion, and reinventing the bond with the person she loves most.
Earth and Blood is slow, but it still has it’s entertaining moments. If you’re into thrillers, or want to watch something new, then this film might be for you. As for me, Earth and Blood was tolerable enough.
Like most young people, Leviticus is imperfect. But I love it anyways.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
