
Year 1917. Young doctor Valentin Voyno-Yasenetskyj with his wife and four children moved to Tashkent, beset by civil war and intervention. Voyno-Yasenetskyj became head physician in the city hospital. He not only saves hundreds of patients every day, operating under the bullets of the permanent street battles, fighting for his life and life of his beloved wife, dying of TB. In the midst of persecution, he as alone with four children on the outskirts of the former empire, so he decides to become a priest. And since then, he never altered neither scalpel, nor cross, he goes with them through all their hard exiles and arduous life, treating both: body and soul.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
Like most young people, Leviticus is imperfect. But I love it anyways.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics