Ludwig Koch - Der mutige Weg eines politischen Menschen 

It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.

Paul Thomas Anderson blends tragedy, comedy in 2025 epic, "One Battle After Another."

Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

The external threat invaded the domestic environment at the most valuable moment: grieving.

Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.