Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Lucky poster

Lucky (2020)

May, a self help author with all the answers, suddenly finds herself stalked by a masked man who mysteriously reappears every night. Even when she kills him. May struggles to get help from the people around her as she fights to stay alive. Is this paranoia, or is she doomed to accept her new reality?
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


May, a self help author with all the answers, suddenly finds herself stalked by a masked man who mysteriously reappears every night. Even when she kills him. May struggles to get help from the people around her as she fights to stay alive. Is this paranoia, or is she doomed to accept her new reality?

Rating:
Genre:Fantasy, Horror, Mystery
Directed By:Natasha Kermani
Written By:Brea Grant
In Theaters:3/16/2020
Box Office:

Runtime:83 minutes
Studio:Epic Pictures Group

Articles You May Like


The Naked Gun: New Squad on Fire!

Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.

Nilufer Ozmekik

Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger