Caught Stealing: New York, Crimes, Baseball, and Cat
The trainwreck is hot but tame.

The dancer who almost vanished from history — brought back in a storm of dreams and rebellion. Lucia Joyce, the brilliant but forgotten daughter of James Joyce, moves through a world that refuses to let her be free. Lucia Joyce & Flappers is not a simple retelling of her life — it’s a radical resurrection. In a hypnotic blend of memory, fantasy, and historical imagination, Małga Kubiak reclaims Lucia’s voice, her body, and her fierce, uncontainable spirit.
The trainwreck is hot but tame.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.