1916. Julien Delaunay is reported missing in action during the Great War. His wife, Julie, refuses to believe he is dead. 1919. When a photo of an amnesic drifter appears in the press, Julie immediately recognizes him as her beloved husband. They are reunited and, little by little, she helps him to fall in love with her again. Until another woman claims to be the man’s real wife…
Guillaume Bureau
Director
Leïla Bekhti
Julie Delaunay
Karim Leklou
L'homme
Louise Bourgoin
Rose-Marie Brunet / Frimousse
Jean-Charles Clichet
Antoine
Ghislain de Fonclare
Docteur Gramont
Jeanne Cohendy
Alice
Véronique Ruggia Saura
Carlotta
Emmanuelle Schaaff
Gloria
Severine Robic
Lilli
Aliénor Schreder
Edith
Marine Gilbert
Antoinette
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
Want a list to watch the best animated Disney Movies With Diversity? This list of disney films details the best of the animated classics featuring cultural and racial diversity. Favorite movie quotes, songs and main voice actors!
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.