The 100: Highlighting Humanity’s Successes and Failures in Overcoming Hateful Rhetoric
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

While still mourning the loss of her husband and daughter, recently widowed Ellie King visits her brother Aaron Davis and his children for Christmas. Ellie does her best to enjoy the holidays, even making new friends with Mrs. Thompson, a local shop keeper, and handsome admirer Deputy Strode. Settling in nicely with her brother's family, Ellie also meets Erik, a young man abandoned by his outlaw father whom Aaron has taken in as one of his own. When Aaron travels out of town to purchase adjacent land for farming, Ellie agrees to watch his children, but the season’s festivities are threatened when Aaron goes missing.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Narnia, Avengers: Doomsday, Jumanji 3 are some compelling ones! Some of the biggest 2026 movies tied to popular franchises, books, video games, comics, and existing series. Marvel and DC, Disney and Pixar.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.