Due to an intrigue spun by his grandmother and two cousins, the engagement between the officer Hans and his fiancée Traute breaks up. His fiancée is said to have been unfaithful during his 4-week absence on official business. The fabricated rumors allege an affair between Traute and Oberleutnant Grobitzsch.
Hans Steinhoff
Director
Lien Deyers
Traute Reimann
Mathias Wieman
Hans Rudorff - Leutnant
Eduard von Winterstein
Oberst von Friese - Kommandeur
Karl Ludwig Diehl
Oberleutnant Ferndinand von Grobitzsch
Hubert von Meyerinck
Benno von Klewitz - Leutnant
Peter Voß
Harold Hofmann - Oberleutnant
Harry Halm
Paul von Ramberg - Oberleutnant
Louis V. Arco
Peter von Remberg - Oberleutnant (as Lutz Altschul)
Fritz Alberti
Kommerzienrat Berger
Hanna Waag
Hildegrad Berger - Tochter
Gertrud Arnold
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
There's no hiding the horrors of war in this inspiring story of survival