Where The Tracks End in Mexico
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.

Two stories explore secrets, desire, and unrequited love. In "My Brother's Lover," graduate student Takeo and his sister share a home—and unexpectedly, a romantic interest in Riku, a man who has acted in gay adult films. This secret threatens to upend the siblings' lives. In "His Child," Akihiko secretly loves his straight best friend, Kazuya, and selflessly cares for Kazuya's baby. However, Kazuya hides a crucial secret that, when revealed, forces him to confront the complex feelings tied to Akihiko and his family.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
A code adopted by gay men and LGBTQ+ individuals in general to subtly disclose your identity to another, “friend of Dorothy” is widely considered to originate with Judy Garland.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
How do zombie films shine new light in the post-Covid and post-Brexit era?