“Keanu” Paved the Way for “Get Out”
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."

Stop peeking and let's have a fling. Min-ho works at a private detective agency where peeking into others' lives is what he does. One day, a pretty woman named Mi-na asks him to tail her husband and Min-ho is in for a shock. The man he's tracking down is in an affair with his wife, Soo-kyung. The place they meet each other is usually Min-ho's house after he's gone to work. Min-ho installs secret cameras to catch theem in action and watches the scene with Mi-na.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
If you're missing the freedom of travel, explore the world via these international films that put their gorgeous settings in the spotlight.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.