Love doesn’t break all at once. Nine standalone stories catch it in the moment of fracture, from a bedroom argument to cross-border espionage, from quiet grief to genre worlds, and in the long, stubborn work of finding our way back.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
The Olivia Wilde renaissance is upon us.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
