'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Wau Fong and Pak Yuk are attractive hostesses in a cabaret with a great following. One of Wan's suitors, Or Ah Chun is a powerful and prominent figure with strong Japanese connections. But she is reluctant to accept his affection and offer of good life. A postgraduate returning from Japan, Lin San Lon is deeply in love with Pak. The musically talented Lin composes the song LOVE, LONE FLOWER for her. But an American bomber puts an end to their relationship, killing Or and Pak in the debris of the cabaret. Wan becomes "Chieftain" of May Flower Restaurant after the liberation. Among the girls under her supervision, she is surprised to see the late Pak...
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
Looking for some Afro-centric entertainment? Check out these movies and immerse yourself in Black culture.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
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I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.