Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Love it (then) Dump it(LIDI) poster

Love it (then) Dump it(LIDI) 

Sawol who sings arrives in an unfamiliar land at the invitation of someone. Sawol slowly builds a life for herself in this strange place. Sawol and the people living here speak in different tongues but they don’t have any difficulty communicating. Then one day, Sawol finds a poster for an auditon in a café and writes an email. She listens to music as she walks, organizes her thoughts and writes songs, and continues to repeat the mundane things that make her day worthy.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Sawol who sings arrives in an unfamiliar land at the invitation of someone. Sawol slowly builds a life for herself in this strange place. Sawol and the people living here speak in different tongues but they don’t have any difficulty communicating. Then one day, Sawol finds a poster for an auditon in a café and writes an email. She listens to music as she walks, organizes her thoughts and writes songs, and continues to repeat the mundane things that make her day worthy.

Rating:
Genre:Drama
Directed By:Chung Jin-soo
Written By:Kim Mi-ru, Kim Sawol, Kim Hye-won, Chung Jin-soo
In Theaters:
Box Office:

Runtime:65 minutes
Studio:

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood