“A Girl Walks Home Alone At Night”: A Powerful Look At the Exploitation of Women
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.

Love in Sampan is the tale of an unfortunate young woman named Kiu. As she explains in the opening narration, she has known three men: Wah (a boy who worked in her family's shop), Chuen Wang (a local gang boss whom she is compelled to marry) and Man (a university student). But when she accidentally witnesses her best friend, Kim, fooling around with a man, Kiu's sexual curiosity is truly aroused ... and begins to grow.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.