Series of rumors and the incompatibility of both the bride and groom throw a train-bound wedding party out of gear.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
