Elizabeth Bentley is a successful lawyer who suddenly has some "punkish" daydreams of being "Rambo" right around the time her clueless boyfriend Brad asks her to marry him. After a therapy session, she quits her job to the surprise of her family and Brad, and goes into the detective business, opening her own private-eye office. Unfortunately, the ghost of the private-eye who owned the office still lingers and Elizabeth's the only one who can see or hear him. At first, she becomes an unwilling partner in Nick Peyton's unfinished investigation, but then she finds herself falling for the salty, but dead, guy.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
Fire Island is Hulu's most recent romantic comedy and the latest spin on the Jane Austen classic, Pride and Prejudice.
Rap Sh!t has been confirmed for a second season by HBO! Go watch it and support this creative exploration of Hip-Hop culture from Issa Rae.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
The enthralling prequel and 5th installment in 'The Hunger Games' film franchise.
