Why "People We Meet On Vacation" Did Not Meet Its Full Potential
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.

Inspired by Arthur Schnitzler’s scandalous drama Reigen and Chantal Akerman’s famous film Tout en Nuit, the viewer witnesses a modern cycle of love. The film portrays fleeting moments of happiness and disappointment: a young woman talks about her non-binary existence. We observe another woman who, after long years of marriage, finally leaves her home to embark on her first romantic adventure in a hotel room with a “blind date”. This is followed by a drunken drive home for a couple, whose nighttime outing ends in a dark landscape. To be continued!
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.