New Years' Eve. Boy meets girl. Boy doesn't have condom. A film about unprotected sex, destiny, and soul music.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
