The 100: Highlighting Humanity’s Successes and Failures in Overcoming Hateful Rhetoric
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

Louis Lalanne, known as Loulou, entered the world of canoeing quite by chance, through Gilles Maitere. Gilles had a science, an art. He had been introduced to canoeing by old Tahitians. For him the canoe was a way of life, an art and a cult. At first Loulou didn't really understand. The canoeist holds an ancestral oar, the canoe was used to immigrate. At the time when Europeans were still using sextants, Polynesian navigators were reading nature. They navigated by the stars, the positioning of the moon and reading the winds and currents. The chop of the sea and the position of the clouds.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
What happens to an inseparable bond when love for competing morphs into competing for love?