‘Booksmart’: A Fun Coming-of-Age Comedy
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.

Louis Lalanne, known as Loulou, entered the world of canoeing quite by chance, through Gilles Maitere. Gilles had a science, an art. He had been introduced to canoeing by old Tahitians. For him the canoe was a way of life, an art and a cult. At first Loulou didn't really understand. The canoeist holds an ancestral oar, the canoe was used to immigrate. At the time when Europeans were still using sextants, Polynesian navigators were reading nature. They navigated by the stars, the positioning of the moon and reading the winds and currents. The chop of the sea and the position of the clouds.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
The highly anticipated Marvel superhero movie of the year displays important themes of loss, loneliness, and change.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.