Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Modesto and Manuel are brothers whose lives change by wining the lottery.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
This Netflix original series is for animal lovers and fans of light horror series.
The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.
In episode 4 of 'Hawkeye,' things are getting real, from a mystery surrounding a Rolex watch to hints at a certain "big guy" to the reveal of [SPOILER].
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.