It Goes all the Way to the Top: Motherless Brooklyn
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

Lost Property follows three characters returning to the Bureau of Lost Property—a labyrinthine sorting facility where each searches for a missing doppelganger. The Bureau’s flamboyant personnel enforce elaborate administrative rituals, guiding the protagonists toward destabilising confrontations with their other halves. Only one half of each pair can exit, locking them in an endless rotation between original and double.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Women who pray together, play together. Very rarely would I describe a story about a group of punk rockers as “whimsical”, but such an engaging array of visual and comedic components make this stand-out new series the star that it is.