'The Suicide Squad' Is Gory, Gratuitous, but Great
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.

Commissioned by Los Angeles Contemporary Dance Company Fall 2020, LOST MIND is a narrative dance film exploration of the psyche by Sara Silkin. The short film recounts her inability to identify her father's mental illness throughout her life. With her powerful application of surrealist movement imagery, she recreates the emotional physical highs experienced during a manic episode, followed by the endless spirals of depression caused by bipolar disorder.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Eddington attempts to capture how media is intertwined with the uncomfortable present.