A Dog's Life Leads to a Heart Parade
A young woman who dislikes dogs changes forever when a beloved pet comes into her life in this heartwarming story for animal lovers.

Life, work, art and struggle of Berlin's radical enfant terrible Lothar Lambert, an underground filmmaker for 40 years now, who mainly focuses society's misfits, the gays, lesbians, transvestites and transsexuals of his Berlin neighborhood with no-budget films on loss, fear and fury. His films are reflected by critics as art, trash and experimental films and are often misinterpreted and rejected. This documentary shows him and his unapologetic way of working, visits him in his surroundings, speaks to friends and 'victims', enemies and members of the notorious 'Lambert-Family', enlightens his dark past and his reasons for remaining off-stream. Beyond all the cheap humor, the explicit sexual performances and the amateur acting in his features lies his deep wish to eventually break all taboos for more rights.
A young woman who dislikes dogs changes forever when a beloved pet comes into her life in this heartwarming story for animal lovers.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.