What’s Missing in the Lilo & Stitch Posters? A Face and a Deeper Concern
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.

It is the story of two unrequited people in love, Kong (Phanukon Inyim), a young man who has just broken his heart from proposing marriage. Travel to rest at Ban Pha Sing. Udon Thani province where Kong's brother is a community developer there. One day there was a beautiful girl (Thidalat Vongsili), a young writer from Lao PDR traveled to search for information to produce books. when the couple met from not being destined to become a bond Made Kong completely fall in love with Aunt without even knowing that Aunt already had a boyfriend. And went back to Lao PDR, but Kong's love has not changed, causing Kong to get information about Aunt's whereabouts from the cooperation of Jay Fai (Candy Rakkaen). to prove that “Meeting was not a coincidence. but destiny.”
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.