"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

In South America, Artemio, a young knife sharpener, joins a revolutionary movement whose members include Bragueton, an unemployed soldier; Domingo Acevedo, a compulsive gambler; Don Bachetta, a retired anarchist; and Eva, a young French woman with whom Artemio falls madly in love. This small group secretly plans to launch a terrorist attack. Love and friendship sustain the illusion, but passions soon run high in the closed environment of their cohabitation, giving way to the worst of human baseness and proving the ineffectiveness of collective action.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.