The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

In 1887, two businessmen, Echigo-ya and Kitahara, compete for railroad construction authorization from the government. The minister states that a local noble must not object, and his missing younger brother is the only one who could sway him. Meanwhile, Omitsu, a hotel employee tired of Echigo-ya’s wife’s arrogance, teams up with Kitahara to stage a scheme where a vagrant young man pretends to be the noble’s lost brother, aiming to trick and embarrass the wealthy woman.
A direct fall into the white savior narrative
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?