“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

Felice is a twenty-year-old boy from a working-class neighborhood. He buys a grand piano with money from a loan shark and with the help of Noemi, a young girl of the same age he met in the library, he plays in the squares of Campania for passers-by and tourists. The security guard Enzo, after an argument, destroys his piano into many pieces. Chased by loan sharks, he finds himself in the back of a church. He is given a jacket and tie and is sent to the altar in front of the dead man's relatives. He begins to make a speech in commemoration of a deceased person he doesn't even know, but the words flow spontaneously, cleanly, moving and exciting. After that speech he will become the funeral boy, the orator.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
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