I Wouldn't Recommend "The Last House" If It Was The Last Movie On Earth
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end

Ex-gangster Charlie Thompson returns to London after the tragic death of his young nephew Danny which he believes to have been caused by the same callous hands that killed his brother George many years ago. Taking the law into his own hands Charlie meets up with former acquaintances ready to settle old scores and save his last remaining nephew Frankie the last of the Thompson bloodline. However, Charlie has been out the game for a while and he soon realizes that a lot has changed.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.