"Jacques Goldstein goes on a quest for a spectre, a spectre that haunts Jazz. Who was Ornette Coleman, the saxophonist and composer ' If his seminal body of work is now - rightfully so - fully recognized, the man remained deliberately mysterious and enigmatic. The director visits and interviews musicians who owe him a lot. A portrait of Ornette takes shape as these sketches gradually unfold."
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
This short film was an overall creative success.
