“We Are Pat” (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

"Jacques Goldstein goes on a quest for a spectre, a spectre that haunts Jazz. Who was Ornette Coleman, the saxophonist and composer ' If his seminal body of work is now - rightfully so - fully recognized, the man remained deliberately mysterious and enigmatic. The director visits and interviews musicians who owe him a lot. A portrait of Ornette takes shape as these sketches gradually unfold."
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.