"Maintenance Required" Finds Romance in the Auto Shop
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.

Cheyenne, a journalist, decides to leave Paris after being laid off and to settle down in the middle of nowhere, far from the society she hates. The trouble is that she leaves Sonia, her true love, behind. The latter, a teacher who loves her job, refuses to give up everything - including her comfort - to follow her. Sonia makes all the efforts in the world to forget Cheyenne, whether in the arms of Pierre, a charming anarchist, or in those of Béatrice, a gay woman who soon proves perverse and dangerous, only to realize that her heart belongs to Cheyenne and nobody else.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
Marvel's Moon Girl and Devil Dinosaur shine as they battle their way through supervillains, social issues, and school bullies on the Lower East Side. Moon girl magic in the moonlight! A must-see for all Marvel and fantasy/science fiction fans.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)