One of the great pleasures of working on LOOK & SEE was collaborating with artist and wood engraver Wesley W. Bates. Wesley's work has long accompanied Wendell Berry's poetry. When he agreed to provide original images for our film we were truly thrilled. Because each image involves such painstaking effort, we asked Wesley to film a block from start to finish. At two hours long, the video is a distillation of three days of his effort. And Wesley provided over ten such engravings along with the film's signature block of Wendell Berry.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
David Fincher is back in his playpen, with a dark and chilling thriller.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
