Pretty Lethal (2026): When Ballet Turns Brutal
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.

A boy is making the difficult bicycle ride up a steep hill for the goal of being able to dive off the top of the cliff into the water below. The water looks even more enticing as he views it at that long distance from the top. As he jumps indiscriminately toward the water without surveying his surroundings, he may find that the water below is a little less enticing the closer and closer he gets to it, which may be, by that time, too late. The moral: look before you leap.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
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